Altogether, 80 stones were in competition for the awards along with three additional stone displays that were not in competition. Thirty-four landscape and twenty-one object stones dominated the exhibited while the colorful, pattern and multiple stone displays added considerable variety and interest. The stones ranged from ones that followed traditional Japanese Suiseki to some nice abstract stones that resembled Chinese viewing stones. It was good to see several nice contemporary displays of Italian stones as well. The creative matching of stones to modern style bases demonstrated the artistic creativity that exist among collectors in Italy. Likewise, a wider range of stone types from throughout Italy was displayed. These welcomed additions to the AIAS exhibitions are evidence of a growing Italian concept for stone appreciation. Several non-Italian stones were displayed including a beautiful Shimanto River stone from Japan.

Italy has risen to become a world leader in both bonsai and viewing stones. The development of many well-informed artists and collectors over many years have led to this accomplishment. Also, there are several highly skilled wood workers who are making fine display tables and bases for use with their trees and stones. Excellent small bronze accessory items, tenpai, are being made by artists such as Andrea Terinazzi for use in displays. Other artists are making paintings for use in displays. Currently, no other European country can match the overall accomplishments of the men and women of the AIAS and the Italian Bonsai Society.